Yellow Ochre Field
       
     
Large Yellow Nude
       
     
Large Cross on Yellow #1
       
     
Field of Moons
       
     
Field of Moons
       
     
Field of Moons
       
     
Smith Tune
       
     
Freshly Plowed Field
       
     
Study for A.C.T.A.S. (Another Cherry Tree Another Symphony)
       
     
Rites of Passage
       
     
Rites of Passage
       
     
Rites of Passage
       
     
For F
       
     
For F
       
     
Untitled Journey
       
     
Untitled Journey
       
     
Untitled Journey
       
     
Candles for Clem
       
     
Candles for Clem
       
     
Candles for Clem
       
     
Candles for Clem
       
     
Prayer
       
     
Cherry Tree Series II
       
     
Cherry Tree Series II
       
     
Cherry Tree Series II
       
     
Cherry Tree Series II
       
     
In Times of Great Disorder
       
     
In Times of Great Disorder
       
     
In Times of Great Disorder
       
     
In Times of Great Disorder
       
     
In Times of Great Disorder
       
     
In Times of Great Disorder
       
     
In Times of Great Disorder
       
     
In Times of Great Disorder
       
     
33 Madrigals
       
     
33 Madrigals
       
     
33 Madrigals
       
     
33 Madrigals
       
     
33 Madrigals
       
     
33 Madrigals
       
     
33 Madrigals
       
     
33 Madrigals
       
     
33 Madrigals
       
     
Seedcatchers/Ghosts XV
       
     
Seedcatchers/Ghosts VI
       
     
Cross Red #1
       
     
Sunflowers IV (Series III)
       
     
Sunflowers II (Series II)
       
     
Untitled
       
     
Sunflowers IV
       
     
Cherry Tree III (Series III)
       
     
Untitled
       
     
Untitled
       
     
Yellow Ochre Field
       
     
Yellow Ochre Field

1988, Color monotype on mulberry paper, 20 x 26.5 in
Printer: the artist, Eastport, New York

Large Yellow Nude
       
     
Large Yellow Nude

1989, Color monotype printed in oil paint on mulberry paper, 19 x 23 in
Printer: the artist with Margaret Haight, Eastport, New York

Large Cross on Yellow #1
       
     
Large Cross on Yellow #1

1989, Two-color monotype printed in oil on mulberry paper, 19 x 23 in
Printer: the artist with Margaret Haight, Eastport, New York

Field of Moons
       
     
Field of Moons

1993, Monoprint (color etching, aquatint, and woodcut, hand-inked by the artist and selectively printed in various colors, including oil paint; multiple printings; hand coloring, pastel) on Rives BFK paper, 22 x 30 in
Unique monoprint in a series of 8 variant monoprints
Publisher: Fine Arts Work Center, Provincetown, Massachusetts
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Field of Moons
       
     
Field of Moons

1993, Monoprint (color etching, aquatint, and woodcut, hand-inked by the artist and selectively printed in various colors, including oil paint; multiple printings; hand coloring, pastel) on Rives BFK paper, 22 x 30 in
Unique monoprint in a series of 8 variant monoprints
Publisher: Fine Arts Work Center, Provincetown, Massachusetts
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Field of Moons
       
     
Field of Moons

1993, Monoprint (color etching, aquatint, and woodcut, hand-inked by the artist and selectively printed in various colors, including oil paint; multiple printings; hand coloring, pastel) on Rives BFK paper, 22 x 30 in
Unique monoprint in a series of 8 variant monoprints
Publisher: Fine Arts Work Center, Provincetown, Massachusetts
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Smith Tune
       
     
Smith Tune

1995, monotype on mulberry paper, 26 x 38 in
Variant impression in a series of 5
Publisher: Smith College Print Workshop, Northampton, Massachusetts
Printer: the artist with Maurice Sánchez (Derrière L’Étoile Studio) at Harnish Graphics Studio, Smith College, Northampton, Massachusetts

Freshly Plowed Field
       
     
Freshly Plowed Field

1995, Monotype on mulberry paper, 26 x 38.5 in
Variant impression in a series of 5
Publisher: Smith College Print Workshop, Northampton, Massachusetts
Printer: the artist with Maurice Sánchez (Derrière L’Étoile Studio) at Harnish Graphics Studio, Smith College, Northampton, Massachusetts

Study for A.C.T.A.S. (Another Cherry Tree Another Symphony)
       
     
Study for A.C.T.A.S. (Another Cherry Tree Another Symphony)

1995, Monotype on mulberry paper, 26 x 38.5 in
Variant impression in a series of 5
Publisher: Smith College Print Workshop, Northampton, Massachusetts
Printer: the artist with Maurice Sánchez (Derrière L’Étoile Studio) at Harnish Graphics Studio, Smith College, Northampton, Massachusetts

Rites of Passage
       
     
Rites of Passage

1996, Monoprint (woodcut, hand-inked with oil paints and pastel, and monotype from oil paints on Plexiglas) on paper, 35.5 x 23.25 in
Two unique monoprints from a series of 4 variant monoprints
Publisher: Diane Villani Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, printed in the artist’s studio, Brooklyn, New York

Rites of Passage
       
     
Rites of Passage

1996, Monoprint (woodcut, hand-inked with oil paints and pastel, and monotype from oil paints on Plexiglas) on paper, 35.5 x 23.25 in
Two unique monoprints from a series of 4 variant monoprints
Publisher: Diane Villani Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, printed in the artist’s studio, Brooklyn, New York

Rites of Passage
       
     
Rites of Passage

1996, Monoprint (woodcut, hand-inked with oil paints and pastel, and monotype from oil paints on Plexiglas) on paper, 35.5 x 23.25 in
Two unique monoprints from a series of 4 variant monoprints
Publisher: Diane Villani Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, printed in the artist’s studio, Brooklyn, New York

For F
       
     
For F

1996, Monoprint (copperplate intaglio and woodcut [cherry and luan wood blocks cut and printed as relief and intaglio] hand-inked by the artist and dusted with pastel; monotype from additional washes on Plexiglas) on Arches paper, 29.5 x 25.5 in
Unique monoprint from a series of 9 variant monoprints
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

For F
       
     
For F

1996, Monoprint (copperplate intaglio and woodcut [cherry and luan wood blocks cut and printed as relief and intaglio] hand-inked by the artist and dusted with pastel; monotype from additional washes on Plexiglas) on Arches paper, 29.5 x 25.5 in
Unique monoprint from a series of 9 variant monoprints
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Untitled Journey
       
     
Untitled Journey

1996, Monoprint (copperplate intaglio and woodcut, hand-inked by the artist, and dusted with pastel; monotype from additional washes on Plexiglas) on Rives BFK buff paper, 33.5 x 40 in
Unique monoprint from a series of 9 variant monoprints
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Untitled Journey
       
     
Untitled Journey

1996, Monoprint (copperplate intaglio and woodcut, hand-inked by the artist, and dusted with pastel; monotype from additional washes on Plexiglas) on Rives BFK buff paper, 33.5 x 40 in
Unique monoprint from a series of 9 variant monoprints
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Untitled Journey
       
     
Untitled Journey

1996, Monoprint (copperplate intaglio and woodcut, hand-inked by the artist, and dusted with pastel; monotype from additional washes on Plexiglas) on Rives BFK buff paper, 33.5 x 40 in
Unique monoprint from a series of 9 variant monoprints
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Candles for Clem
       
     
Candles for Clem

1996, Monoprint (four copperplate intaglios and woodcuts [cherry and luan wood blocks cut and printed as relief and intaglio] hand-inked by the artist and dusted with pastel; monotype from additional washes on Plexiglas) on Somerset buff paper, 34 x 40 in
Unique monoprint from a series of 9 variant monoprints
Printer and publisher: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Candles for Clem
       
     
Candles for Clem

1996, Monoprint (four copperplate intaglios and woodcuts [cherry and luan wood blocks cut and printed as relief and intaglio] hand-inked by the artist and dusted with pastel; monotype from additional washes on Plexiglas) on Somerset buff paper, 34 x 40 in
Unique monoprint from a series of 9 variant monoprints
Printer and publisher: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Candles for Clem
       
     
Candles for Clem

1996, Monoprint (four copperplate intaglios and woodcuts [cherry and luan wood blocks cut and printed as relief and intaglio] hand-inked by the artist and dusted with pastel; monotype from additional washes on Plexiglas) on Somerset buff paper, 34 x 40 in
Unique monoprint from a series of 9 variant monoprints
Printer and publisher: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Candles for Clem
       
     
Candles for Clem

1996, Monoprint (four copperplate intaglios and woodcuts [cherry and luan wood blocks cut and printed as relief and intaglio] hand-inked by the artist and dusted with pastel; monotype from additional washes on Plexiglas) on Somerset buff paper, 34 x 40 in
Unique monoprint from a series of 9 variant monoprints
Printer and publisher: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Prayer
       
     
Prayer

1997-98, Monoprint (color etching, aquatint, and woodcut, hand-inked and selectively printed) on Rives BFK paper, 24 x 50 in
Unique monoprint from a series of 5 variant monoprints
Printer: the artist with Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

Cherry Tree Series II
       
     
Cherry Tree Series II

1999, monoprint on paper, 36 x 24 in

Cherry Tree Series II
       
     
Cherry Tree Series II

1999, monoprint on paper, 36 x 24 in

Cherry Tree Series II
       
     
Cherry Tree Series II

1999, monoprint on paper, 36 x 24 in

Cherry Tree Series II
       
     
Cherry Tree Series II

1999, monoprint on paper, 36 x 24 in

In Times of Great Disorder
       
     
In Times of Great Disorder

2000, Monoprints (lithography, monotype, and woodcut monoprint hand-inked by the artist) on Rives BFK white paper, 29.5 x 29.5 in
Unique monoprints from a series of 18 variant monoprints
Publisher: Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, New York

In Times of Great Disorder
       
     
In Times of Great Disorder

2000, Monoprints (lithography, monotype, and woodcut monoprint hand-inked by the artist) on Rives BFK white paper, 29.5 x 29.5 in
Unique monoprints from a series of 18 variant monoprints
Publisher: Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, New York

In Times of Great Disorder
       
     
In Times of Great Disorder

2000, Monoprints (lithography, monotype, and woodcut monoprint hand-inked by the artist) on Rives BFK white paper, 29.5 x 29.5 in
Unique monoprints from a series of 18 variant monoprints
Publisher: Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, New York

In Times of Great Disorder
       
     
In Times of Great Disorder

2000, Monoprints (lithography, monotype, and woodcut monoprint hand-inked by the artist) on Rives BFK white paper, 29.5 x 29.5 in
Unique monoprints from a series of 18 variant monoprints
Publisher: Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, New York

In Times of Great Disorder
       
     
In Times of Great Disorder

2000, Monoprints (lithography, monotype, and woodcut monoprint hand-inked by the artist) on Rives BFK white paper, 29.5 x 29.5 in
Unique monoprints from a series of 18 variant monoprints
Publisher: Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, New York

In Times of Great Disorder
       
     
In Times of Great Disorder

2000, Monoprints (lithography, monotype, and woodcut monoprint hand-inked by the artist) on Rives BFK white paper, 29.5 x 29.5 in
Unique monoprints from a series of 18 variant monoprints
Publisher: Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, New York

In Times of Great Disorder
       
     
In Times of Great Disorder

2000, Monoprints (lithography, monotype, and woodcut monoprint hand-inked by the artist) on Rives BFK white paper, 29.5 x 29.5 in
Unique monoprints from a series of 18 variant monoprints
Publisher: Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, New York

In Times of Great Disorder
       
     
In Times of Great Disorder

2000, Monoprints (lithography, monotype, and woodcut monoprint hand-inked by the artist) on Rives BFK white paper, 29.5 x 29.5 in
Unique monoprints from a series of 18 variant monoprints
Publisher: Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

33 Madrigals
       
     
33 Madrigals

2001, Monoprints (color lithograph, monotype, and color woodcut) on Rives BFK paper, 33.5 x 35.5 in
Unique monoprints from a series of 33 variant monoprints, numbered I–XXXIII
Copublishers: the artist and Jungle Press Editions, New York
Printer: the artist with Andrew Mockler and Tilden Daniels, Jungle Press Editions, New York

Seedcatchers/Ghosts XV
       
     
Seedcatchers/Ghosts XV

2008, lithograph, woodcut, monoprint, Jungle Press Editions, 29 x 38 in

Seedcatchers/Ghosts VI
       
     
Seedcatchers/Ghosts VI

2008, lithography, woodcut, monoprint, Jungle Press Editions, 29 x 38 in

Cross Red #1
       
     
Cross Red #1

1989, monoprint on paper, 9 x 11 in

Sunflowers IV (Series III)
       
     
Sunflowers IV (Series III)

2013, woodblock, monoprint, 17 x 20.5 in

Sunflowers II (Series II)
       
     
Sunflowers II (Series II)

2013, woodblock, monoprint, 24 x 37 in

Untitled
       
     
Untitled

1989, monoprint on paper, 11 x 11 in

Sunflowers IV
       
     
Sunflowers IV

(to enlarge images click + in upper right corner)

2016, monoprint, woodcut, hand-painted, 24” x 36”

Cherry Tree III (Series III)
       
     
Cherry Tree III (Series III)

(to enlarge images click + in upper right corner)

2011, woodblock, hand-painted, 36 x 24 in

Untitled
       
     
Untitled

1989, monoprint pn paper, 9 x 11 in

Untitled
       
     
Untitled

1989, monoprint on paper, 19 x 23 in