Report Card, from the portfolio Yale at Norfolk Prints 1973,
       
     
Imagine
       
     
Red and Yellow
       
     
Study for Resurrection Etching
       
     
Resurrection Etching
       
     
FMSWNL [For My Son Who Never Lived]
       
     
Dancing in the Dark
       
     
Mommy Why?
       
     
Things Have Tears and We Know Suffering
       
     
Can We Turn Our Rage to Poetry
       
     
Kaddish
       
     
For the Children
       
     
For the Children, "Pink Study"
       
     
Our Foremothers
       
     
Another Version of Cherry Fall
       
     
My Work
       
     
Requiem / Let Them Rest
       
     
... and acquainted with grief
       
     
My  Maggie
       
     
Serene/Cries
       
     
Oasis
       
     
Angry Women
       
     
Breaking Ground
       
     
Wild Roses
       
     
ALTAR
       
     
See what a life...
       
     
Chant/Always
       
     
Chant/Forever XII
       
     
Chant/Forever VIII
       
     
Chant/Forever II
       
     
Black Lake Redux
       
     
Report Card, from the portfolio Yale at Norfolk Prints 1973,
       
     
Report Card, from the portfolio Yale at Norfolk Prints 1973,

1973, etching on Arches paper, 15 x 19 in
Edition: 60
Publisher: Art Division, Yale Summer School of Music and Art, Norfolk, Connecticut
Printer: Bryan Kay, Norfolk, Connecticut

Imagine
       
     
Imagine

1975, soft ground etching and sugar lift aquatint on Arches paper, 15 x 22.25 in
Edition: 40
Printer: Paul Levitt, New Brunswick, New Jersey

Red and Yellow
       
     
Red and Yellow

1977, etching, lift ground, and aquatint on Arches paper, 22 x 30 in
Edition: 20
Printer: Jane Kent, New York

Study for Resurrection Etching
       
     
Study for Resurrection Etching

1978, Soft ground etching, etching, color sugar lift aquatint, and spit bite on Arches paper, 28.5 x 31.5 in
Edition: 35
Printer: Patricia Branstead, Aeropress, New York

Resurrection Etching
       
     
Resurrection Etching

1978-81, Photo etching, soft ground etching, color sugar lift aquatint (from two plates), open bite, and line etching on Arches paper, 29 x 41 in
Edition: 25
Printer: Patricia Branstead, Aeropress, New York, with Jane Kent and Carol Weaver

FMSWNL [For My Son Who Never Lived]
       
     
FMSWNL [For My Son Who Never Lived]

1979-80, nine-color lithograph on Arches paper, 23 x 36.5 in
Edition: 100
Publisher: Prestige Art Ltd., New York
Printer: Maurice Sánchez, James Miller, and Linda Larouche, Derrière L’Étoile Studio, New York

Dancing in the Dark
       
     
Dancing in the Dark

1983, Woodcut printed in two black inks (vine black and blue-black) on Shoin mulberry paper, 28 x 25 in
Edition: 15
Publisher: Diane Villani Editions, New York
Printer: Chip Elwell, New York

Mommy Why?
       
     
Mommy Why?

1983-84, Woodcut hand-inked with oil paint by the artist on Yamato mulberry paper, 12 x 9 in
Edition: 15
Publisher: Diane Villani Editions, New York
Printer: Chip Elwell, New York, with the artist

Things Have Tears and We Know Suffering
       
     
Things Have Tears and We Know Suffering

1983-84, Color woodcut hand-inked by the artist on Yamato mulberry paper, 26 x 25.5 in
Edition: 9
Publisher: Diane Villani Editions, New York
Printer: Chip Elwell, New York, with the artist

Can We Turn Our Rage to Poetry
       
     
Can We Turn Our Rage to Poetry

1985, Color lithograph on Rives BFK paper, 30.5 x 44.5 in
Edition: 20
Publishers: Mount Holyoke College, South Hadley, Massachusetts, and Diane Villani Editions, New York
Printer: John Hutcheson, Mount Holyoke College, and Riverview Fine Arts Press, Jersey City, New Jersey

Kaddish
       
     
Kaddish

1988, woodcut printed in purple ink and orange oil paint on mulberry paper, 12 x 4 in
Edition: 6
Printer: the artist, Eastport, New York

For the Children
       
     
For the Children

1988, color woodcut in brown-black, orange, yellow, and gold on
mulberry paper, 35.5 x 15 in
Edition: 10
Printer: the artist with Margaret Haight, Eastport, New York

For the Children, "Pink Study"
       
     
For the Children, "Pink Study"

1988, color woodcut in dark brown and pink on mulberry paper, 34.5 x 15 in
Edition: 3
Printer: the artist with Margaret Haight, Eastport, New York

Our Foremothers
       
     
Our Foremothers

1995, Color lithograph, etching, and woodcut on Arches buff paper, 24 x 34 in
Edition: 90
Publisher: The Jewish Museum, New York
Printer: Andrew Mockler, with Vera Stanojevis and Moriah Carlson, Jungle Press Editions, New York

Another Version of Cherry Fall
       
     
Another Version of Cherry Fall

1996, Color woodcut (colored à la poupée) and soft ground etching (printed in purple) on chine collé (with mulberry paper) on Rives BFK cream paper, 25 x 23 in
Edition 60
Publisher: Commission for the 25th Anniversary of the Mary H. Dana Women Artists Series, Douglass College (Rutgers University), New Brunswick, New Jersey
Printer: Eileen M. Foti and Eduardo Fausti, Rutgers Center for Innovative Print and Paper, New Brunswick, New Jersey

My Work
       
     
My Work

1997, Five-color etching, soft ground etching, aquatint, spit bite, scraping, and color woodcut on Somerset soft white paper, 22.25 x 25 in
Edition: 16
Publishers: the artist and Diane Villani Editions, New York
Printer: Jennifer Melby, Brooklyn, New York

Requiem / Let Them Rest
       
     
Requiem / Let Them Rest

1997-98, Color lithograph, etching, and woodcut on Arches paper, 26 x 20 in
Edition 120
Publisher: Madison Art Center, Madison, Wisconsin
Printer: Andrew Mockler and Martin Mazorra, Jungle Press Editions, New York

... and acquainted with grief
       
     
... and acquainted with grief

1998, Color etching, aquatint, woodcut, and linocut, hand-inked by the artist, on Rives BFK paper, 40 x 58 in
Edition 10
Printer: Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts

My  Maggie
       
     
My Maggie

2000, Color lithograph (from three lithographic plates) and etching on Rives BFK cream paper, 20.5 x 23.5 in
Edition: 60
Publisher: Astraea Lesbian Foundation for Justice, New York
Printer: Andrew Mockler, Jungle Press Editions, New York

Serene/Cries
       
     
Serene/Cries

2005, Color digital print, lithograph in green, and carborundum plate in red and light green with chine collé on Somerset Enhanced paper, 36 x 40 in
Edition: 50
Publisher: Rutgers Center for Innovative Print and Paper, New Brunswick, New Jersey
Printer: Randy Hemminghaus with Kristen Cavagnet, Rutgers Center for Innovative Print and Paper, New Brunswick, New Jersey

Oasis
       
     
Oasis

2006, Color digital print with four-color screenprint (transparent yellow, transparent red, transparent green, and transparent blue) and hand-applied Prismacolor on Hahnemuhle German Etching digital paper, 21 x 22.5 in
Edition: 200
Publisher: The Print Club of New York, Inc.
Printer: Randy Hemminghaus, Rutgers Center for Innovative Print and Paper, New Brunswick, New Jersey

Angry Women
       
     
Angry Women

2007, Digital print with color lithography and hand-coloring on Hahnemuhle German Etching digital paper, 12 x 12 in
Edition: 60
Publisher: Brodsky Center for Innovative Editions at Rutgers, New Brunswick, New Jersey
Printer: John C. (Chris) Erickson and Josh Azzarella, Brodsky Center for Innovative Editions at Rutgers, New Brunswick, New Jersey

Breaking Ground
       
     
Breaking Ground

2008, Etching with pigmented inkjet printing on Somerset Enhanced Velvet paper, 18.5 x 22.5 in
Edition 35
Publisher: The Corporation of Yaddo, Saratoga Springs, New York
Printer: Brian Berry, Bill Goldston, and Noelle Weber, Universal Limited Art Editions, Inc., Bay Shore, New York

Wild Roses
       
     
Wild Roses

2010, Color lithograph, etching, and woodcut on Hahnemuhle German Etching white paper, 28.5 x 38.5 in
Edition: 30
Publisher: the artist with Jungle Press Editions, Brooklyn, New York
Printer: Andrew Mockler, Silas van der Swaagh, and Patrick Warren, Jungle Press Editions, Brooklyn, New York

ALTAR
       
     
ALTAR

2009, Digital print, color lithograph, chine collé, color etching (hard ground and soft ground), color woodcut (printed in the manner of an intaglio), and collograph on Rives BFK paper, 33 x 31.5 in
Edition: 40
Publisher: Tandem Press, Madison, Wisconsin
Printer: Andy Rubin, Joe Freye, Bruce Crownover, and Jason Ruhl, Tandem Press, Madison, Wisconsin

See what a life...
       
     
See what a life...

2010, Color etching and woodcut on Revere Silk paper, 24.5 x 42 in
Edition: 25
Publisher: the artist with Jungle Press Editions, New York
Printer: the artist with Andrew Mockler, Jungle Press Editions, Brooklyn, New York; editioned by Mockler, Lotte Allen, and Patrick Warren, Jungle Press Editions, Brooklyn, New York

Chant/Always
       
     
Chant/Always

2016, color etching and woodblock on Sunray white, 32 x 42 in
Edition: 3
Printer: the artist with Andrew Mockler, Jungle Press Editions, Brooklyn, New York

Chant/Forever XII
       
     
Chant/Forever XII

2018, color lithograph, etching (wiped a la pope in 2 colors) and color woodcut on Rives BFK, 32 x 42 in
Edition: variable edition of 12 unique prints numbered I-XII
Printer: the artist with Andrew Mockler, Jungle Press Editions, Brooklyn, New York

Chant/Forever VIII
       
     
Chant/Forever VIII

2018, color lithograph, etching (wiped a la pope in 2 colors) and color woodcut on Rives BFK, 32 x 42 in
Edition: variable edition of 12 unique prints numbered I-XII
Printer: the artist with Andrew Mockler, Jungle Press Editions, Brooklyn, New York

Chant/Forever II
       
     
Chant/Forever II

2018, color lithograph, etching (wiped a la pope in 2 colors) and color woodcut on Rives BFK, 32 x 42 in
Edition: variable edition of 12 unique prints numbered I-XII
Printer: the artist with Andrew Mockler, Jungle Press Editions, Brooklyn, New York

Black Lake Redux
       
     
Black Lake Redux

2022, indirect gravure, aquatint, silkscreen, hand dusting with gold pigment and pastel on Arches wove paper, 22.5 x 38.5 in
Edition: 20
Printer: Robert Townsend, R. E. Townsend Studio, Georgetown, Massachusetts